Archive for » 2009 «
Some werewolf links filling my tabs lately.
1) Werewolf t-shirts at Cafe Press. (Twilight heavy, unfortunately.)
2) Fangoria #290 sneak peak: The Wolfman (I can’t wait for this issue and this movie. One of these days I really need to just get a subscription to the magazine.)
3) Speaking of The Wolfman, the final French Wolfman poster is gorgeous.
4) Being Human filming season two and the actors for Annie and George talk about being back in the house. (Video link.)
I seem to have closed some links, because I thought I had more.
I am actually kind of worried about The Wolfman’s release. First, it would have made much more sense to release it around Halloween, but whatever. Second, though I know people are willing to go see horror movies on Valentine’s Day weekend (come on, I am not only willing but prefer to see horror movies then — and just about any time of the year), it’s not really a traditional time to release horror movies for good reason. And finally, Valentine’s Day is also being released that weekend and have you seen the cast list? Holy major league line-up, Batman.
A friend and I were joking around the other day that the only money The Wolfman will get that weekend will be ours. It’s funny ’cause it might be true. We’re laughing so we don’t mourn. Etc. and so on and so forth.
Still, I’m looking forward to it.
I’ve been fighting a migraine for a day or two now and earlier it laid me flat. I couldn’t sleep, so I picked up one of the werewolf books I recently acquired, On the Prowl by Karen MacInerney, the second book in her Tales of an Urban Werewolf series. (I haven’t read the first one, Howling at the Moon, but hoped these could stand alone.)
Warning: There will be spoilers for the first two chapters of Prowl.
All I wanted was a fun werewolf story about a female werewolf (as opposed to all the stories about a human woman in love with a male werewolf, which are fine, but not really for me), a quick read to distract me from how bad I felt. What I got was a book that, within the first thirty pages, made me want to throw it across the room.
I am very tired of stories about superficial, judgmental women obsessed with fashion and beauty, but for a good story, I can deal with that. What I can’t deal with is a main character who seems to hate all other women.
Many things about the set-up for this book are wonderful: Sophie Garou is a werewolf. She’s a successful business woman (as of Prowl, she’s a partner at a major accounting firm). She lives in Austin, Texas, a fantastic place. From the blurb, I know there will be werewolf pack politics. Within the first couple chapters, I learn there are multiple female werewolves. There are werewolves in a city! I love that.
What I don’t love is the way Sophie judges the women around her.
Sally: Sophie’s “perpetually spandexed assistant” who Sophie would fire but can’t because Sophie’s boss hired her, so Sally is Sophie’s “cross to bear.” Not only dresses in spandex but “smiles tightly” to express her dislike of Sophie and “adjusts her cleavage.” Sophie claims she’s been trying to get her fired or arrested, but now Sophie has the goods to blackmail her and stop it.
Lindsey: Sophie’s best friend who is “a dead ringer for Angelina Jolie, which could have been a problem if she wasn’t such a fabulous friend.” (So glad you decided not to hate her because she’s beautiful, Sophie.)
Sorority Girl: Sophie tells readers about saving her from a werewolf attack. “…some deluded hero instinct made me decide to . . . step in and save her. Even though she had been wearing awful shoes.” (Why deluded hero instinct? Women can’t be heroes? Werewolves can’t be heroes? And way to so magnanimously save her despite her bad shoes.)
Adele: Sophie’s boss at the accounting firm. Not a lot of judgment yet, but she does seem strangely focused on what tablecloths to use at the firm retreat instead of, oh, being the boss at an accounting firm.
Mom: Sophie’s mother. Sophie’s still pretty judgmental toward her, calling her semi-psychotic, but at least it comes across as fondly judgmental, I guess.
Mrs. Gerschwitz: Sophie’s neighbor, who is old and spindly and absent-minded and gets lipstick on her false teeth, THE HORROR.
Teena: Another werewolf. I was excited about that for awhile (Teena is actually the THIRD female werewolf in sixteen pages, which is pretty awesome, even though we haven’t actually met the second one yet, just the aftermath of what she’s done), which might be why this was the part where all my frustrations came together into anger. Sophie judges her left, right, and center: she wears “ill-fitting” and “cheap” clothes, including too dark stockings the “thick, stretchy kind they sold at Wal-Mart” and scuffed shoes that make Sophie say “I finally understood the phrase ‘down at the heel,’” smells weak (which I’d actually be fine with on its own, since there are stronger female werewolves), badly painted nails, the works. Sophie thinks about how she could take her shopping and to the make-counter to fix her, when the woman has actually come to her for help adjusting to being a werewolf. (Another idea which filled me with glee but, so far, has gone nowhere: female werewolves helping each other out.) Then the part which made me want to throw the book. Teena explains that her boyfriend was a werewolf first, but she can’t go to him with her questions because he’s gone, though she’s not sure if he left or if he, like other werewolves in their area, disappeared.
SOPHIE’S RESPONSE: “If he left, I thought, it was probably the Caribbean Bronze hose.”
Because, yeah, a woman dressing in inexpensive clothes not up to your high class standards means her man will leave her.
Miranda: A new associate at Heath’s law firm. (Heath is Sophie’s boyfriend.) Sophie can’t stand the idea of Heath working with her on an important case even though she’s excellent at her job and great in the courtroom because she “looked like a life-sized version of Career-Day Barbie” which is a horrible phrase on so many levels.
I also don’t love the fat hate. I find it hard enough to believe that a werewolf is counting calories enough that she makes sure to get a skinny latte with Splenda just so she can have a blueberry muffin, but then Sophie also hates on Mom’s new boyfriend, Marvin, who is “pool-ball shaped” and “more Dom Deluise than Brad Pitt” so she doesn’t understand how in the world her mother could be attracted to someone who is FAT. Because being FAT is obviously always completely unattractive.
I’m pretty sure race is also going to be problematic and I know class is, just from the way she judges clothes.
All of this from two chapters. TWO CHAPTERS of Sophie judging every woman, frequently on very superficial levels. I’m going to try to finish it. I think the world and the plot has a lot of potential to be awesome. Sophie and her women hating, though, not awesome at all. I hope it gets better.
Yes, another post about werewolf movies. What can I say, this is the October of werewolves for me.
OMG Horror has a list of the fifteen werewolf movies everyone should watch before they die.
It contains some of my favorite (The Howling, Ginger Snaps, An American Werewolf in London, etc.), but also had some I haven’t seen.
I was particularly intrigued by Mad at the Moon, which came in at #14. I haven’t seen it, but I’m a fan of westerns + werewolves and it looks like it could be a fun addition to any werewolf movie night. (Speaking of westerns + werewolves, though I haven’t read it all yet [I have problems with the online reader sometimes], I really like what I’ve seen of the comic High Moon.)
I’m also interested in seeing The Beast Must Die, included at #12, because it not only encourages viewers to solve the mystery of the werewolf along with the characters but it apparently has a “werewolf break” toward the end so viewers can discuss their conclusions. I love interactive (or semi-interactive) storytelling.
Ginger Snaps comes in at #9. It would be higher on my list, but I’m glad to see it included. I mention this mostly to segue into recommending a review at the horror movie blog Holding Darkness: Meeting the Beast: Ginger Snaps and Feminist Werewolves. I don’t agree with all of it, but I read this review in early draft form as well as this edited version, and I find it really interesting.
Autumn is a truly wonderful time of year for monster fans. So many places become the perfect settings for werewolf stories, but October has horror movie marathons and Halloween episodes of tv shows and haunted houses and corn mazes and a gorgeous, glorious full moon. (Did you see it? It was fantastic.) I’m glad I live somewhere that celebrates Halloween.
Werewolves.com has a series of posts about werewolf movies of various decades.
A Decade’s Worth of Werewolf Movies: 1980s (I hate that they use the unnecessary apostrophe in 1980s.)
I’ve seen most, but not all, of the movies from the 1980s. My favorites are The Howling and Silver Bullet, though I have a fond spot for Ladyhawke and I’m actually a pretty big fan of the sequels to The Howling.
I think my love for Silver Bullet exists because Stephen King’s Cycle of the Werewolf is one of my favorite werewolf stories. I love the way it focuses on the different moons and the different holidays in each month, I love that the main character is in a wheelchair, I love the way the terror creeps through the town, I love the way I get chills when reading it, the way it makes me shiver even when much more violent, bloody, descriptive, etc., werewolf stories leave me untouched.
One they missed, Scooby Doo and the Reluctant Werewolf!
A Decade’s Worth of Werewolf Movies: 1990s
Apparently I missed most of the werewolf movies in the 1990s, which makes me sad, but also gives me new things to watch, so that’s exciting. I think there’s actually a Howling sequel I haven’t seen, even, and now I really want to go rent it.
I’ll talk about my least favorite here, and that’s Wolf. I didn’t watch it in the 90s, and I think people telling me over and over to watch it as soon as they learned I liked werewolves built it up too much. I found it frequently lost my attention.
The 90s really had a dearth of werewolf movies, didn’t they?
A Decade’s Worth of Werewolf Movies: 2000s
Oddly, this lists Ginger Snaps Back: The Beginning but only references the other two movies, while it lists the Underworld movies as a set of three. Huh. Ginger Snaps and Cursed are two of my favorites from this list (Ginger Snaps because it’s actually a pretty good movie, Cursed because it has an excellent soundtrack and it very much looked like The Lost Boys for werewolves), but mostly I am shocked and horrified that I missed this:
Never Cry Werewolf: This film was shown on the Sci-Fi channel on May 11, 2008. It is a remake of the 1980s vampire film Fright Night, replacing the vampires with werewolves. About 16-year-old Loren being the only one suspicious of her new (and sexy) neighbor, Jared. She believes Jared is a werewolf and responsible for the town’s recent deaths.
I know why I missed it (I was traveling in May), but I am not sure why I hadn’t even heard of it. A remake of Fright Night with werewolves? Seriously? I must get my hands on this! (I’m a big fan of cheesy Sci-Fi channel movies.)
The more I look at this list, I realize most of my favorite werewolf movies are from the 2000s. Dog Soldiers! Blood Moon, which more heartbreaking than scary! Brotherhood of the Wolf!
And some they’ve missed (not that these are all my favorites, but they are werewolf movies):
Skinwalkers, werewolves with guns! Werewolf: The Devil’s Hound, which is horrible! The Feeding, which I want to see! Blood of the Werewolf, which looks awful.
Actually, WerewolfMovies.net has lists of movies all the way back to the 1940s. I’m finding it useful.
(Circlet Press seems to be down currently. I’ll add links when it’s back up.)
I recommend “Skin Deep” by Shanna Germain in Circlet Press’s Like a Thorn: BDSM Fairy Tales.
This is an insta!recommendation. I haven’t read the rest of the collection. However, I enjoyed “Skin Deep” so much I had to recommend it right away. It’s the reason I bought the collection. I read the excerpt and had to finish it.
“Skin Deep” is a Beauty and the Beast retelling with a twisty, dark Beauty who keeps her Beast on a short chain. The pain here is a pleasure – rose thorns piercing flesh, blood-stained feathers, broken words – and Germain carves a delicious tale.
The story captures some of the things I like best about the Beauty and the Beast story, female-dominant BDSM stories, and werewolves as sexual creatures (though neither Beauty nor the Beast are werewolves here): a big man, dangerous and strong, brought down to his knees by a woman giving him pleasure and pain, bloody and bound and beautiful.
I highly recommend this story. Buying the collection just for this story is worth it, though I’m looking forward to the other stories as well.
